Ultrapop tyrants, dictators and popes’ portraits by Scott Scheidly…

(via designboom)

A new limited edition artwork by artist and designer Sebastian Errazuriz.
“The holly blood popsicles and their uniquely designed cross stick are a comment of the artist on the close relationship between extreme religious fanaticism and violent historic religious blood baths.”
Continue on MoCo Loco.

“Whether angel or devil, Kate Moss beguiles in any guise.”

Will Self – W magazine, read the full article.

Bartek Elsner‘s paper stuff.

(via koikoikoi)

Please smile is an exhibit involving five robotic skeleton arms that change their gestures depending on a viewer’s facial expressions.  It consists of a microcontroller, a camera, a computer, five external power supplies, and five plastic skeleton arms, each with four motors.  It incorporated elements from mechanical engineering, computer vision perception to serve artistic expression with a robot.

Audiences interact with “Please smile” in three different ways. When no human falls within the view of the camera, the five robotic skeleton arms choose the default position, which is bending their elbows and wrists near the wall. When a human steps within the view of the camera, the arms point at the human and follow his/her movements. Then when someone smiles in front of it, the five arms wave their hands. Through artwork such as “Please smile,” I would like to foster positive audience behaviors.

“Death of venus” is inspired by the iconic painting “The birth of Venus” by Sandro Botticelli, created in 1486 during the Italian Renaissance. To me this painting is a representation of unsurpassed artistic talent, creativity and originality. In today’s contemporary art world much of those qualities are no longer as important. Art has become more of a commodity and investment tool, something that people buy and hope it will be worth more in the future. In my sculpture the skull symbolizes those changes of cultural ideas and values. The Ferrari red auto paint is a representation of our fast living times, of glitz and glamour yet some degree the figure itself represents the old traditions”
Roger Reutimann

(Thanks again Beautiful/Decay!)

The work of Rebecca Stevenson investigates the relationship between innocence, consumption and desire.

The art of Jaimie Pitarch